The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer the god-king Krishna. Facing the duty to kill. App Features: 1. BHAGAVAD GITA AUDIO. 2. PARTS EXPLANATION WITH SLOKAS. 3. PARTS EXPLANATION BRIEFLY. 4. IMPORTANT NOTES. Sri Sukhabrahmasramam Post Sri Kalahasti – , – Sri Mad Bhagavad Gita Tattva Vivechani By HH Sri Jayadayal Goyandaka.
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The Gita is prophetic and like the vision of Isaiah and and Psalms of David, it contains ecstatic mystic utterances about the nature and attributes of God.
When Krishna addresses Arjuna, he sometimes speaks as an individual, but often as God Himself:. His endeavour in bringing the essence of the Gita unto the lay and the learned on the wings of poesy in a mellifluous musical strain left an everlasting imprint on the minds of generations of its listeners. It follows true to the saying of Lord Krishna:. It is a gospel by itself, of Hinduism, and one of the great religious classics of the world. True to the spirit of the Gita and the Upanishads, Ghantasala was contented with the great feel that he got which in turn ennobled his heart and soul and enabled him to pour forth sweet melodies for the posterity.
No other singer enjoyed such a luxuriant patronge in the contemporary clan of musicians.
Ghantasala Bhagavad Gita
You speak so highly of the renunciation of action, yet you ask me to follow the yoga of action. It was amply testified by the endless flow of records and the craze of the connoisseurs who go in for them. Ghantasala lived like a ‘Karma Yogi’ and died like a ‘Karma Sanyasa Yogi Yoga of renunciation ‘ for his glory, name and fame spread far and wide with llyrics release of his records.
It was like that he was bound by a divine dispensation to sing and not live to enjoy or get enthused by the applause of his admirers everywhere. Ghantasala rightly followed the spirit of this teaching.
The Gita is not primarily concerned with Krishna as an individual, but with His aspect as Brahman, the ultimate Reality. Lord Krishna’s cautioning, cajoling and chastening Arjuna spurring him to act in the battle of Mahabharata came to be a sacred book of 18 cantos.
May his soul rest in the abode of the Almighty lustrously. Perhaps there could be very few listeners of Ghantasala’s rendition of the Bhagavad Gita who might not have been impressed and inspired mainly because of its spiritual flavour mediated through musical noted flowed soulfully. There have been many who sang the hymns of the song celestial but could not match lyyrics Ghantasala.
Complete Bhagavad Geeta in Telugu
Exactly, Ghantasala did the same. Each canto is treated as a sublime subject of ‘Yoga’. Ghantasala could captivate his listeners of the ‘Bhagavad Gita’ through his own style and that of the inherent divine force of the classic. He was untouched by his great action which resulted in greater hearty response from numerous listeners.
It is one thing for the maestro to render musically 10, songs in all in general and quite another to import the essence of about hymns of the Bhagavad-Gita in just To a question of Arjuna: Alas he was not alive to see all that creditworthy emotional exuberance of his fans all over the state of Andhra Pradesh and for that matter the whole nation, Bharat. The illumined soul Whose heart is Brahman’s heart Think always: There is no other book in the world which provides solutions to the problems life poses in an aesthetic and ethical manner.
His was a pure and illumined heart thereby his soul too was illumined.
GHANTASALA’S BHAGAVAD-GITA RENDITION – A SPIRITUAL TREAT
Action rightly renounced brings freedom Action rightly performed brings freedom Both are better Than more shunning of action. Late lamented and immortalised playback singer ‘Padmasri’ Ghantxsala Venkateswara Rao breathed life into his rendition of the Bhagavad-Gita and left it adorned as a spiritual treat.
Now tell me definitely, which of these is better?
The Bhagavad-Gita Song Celestialan epic in verse is the fifth Veda full of moral values, pearls of wisdom and a divine message sans bounds of time.